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Arlen Roth Lessons
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This is one of the real “foundational” licks of rock guitar, created way back in the late ‘50s by the great James Burton while playing with Dale Hawkins, who did the first recording of this song. It was later popularized by John Fogerty with Creedence Clearwater Revival in the late ‘60s, and represents one of the great “hybrid” picking licks of all-time.
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The lick and position in today’s lesson has been a mainstay for rock and blues players for decades, and it’s important to give it its proper historical tracing, and – more importantly – make sure it’s taught correctly.
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This is perhaps the single most important aspect of understanding rhythm and rhythmic guitar playing. One must remember that any instrument is to a certain degree a “percussion” instrument, and that it’s the constant and unrelenting rhythm of the right hand that determines the true sound of the rhythm lick, and that also carries over into the lead fills and licks as well.
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Jimi Hendrix had a truly powerful rhythm guitar approach that was beautifully designed to incorporate both lead and rhythm guitar, and accommodate the fact that he was basically in a three-piece band. This enabled him to paint in broad strokes with his guitar, and his technique varied widely from heavy power chord licks to smooth R&B/country-like sounds.
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I would like to start off our lessons together with an examination of two critical sets of scales. Again and again, I will be referring to and building upon these scales for a vast range of lessons in all different styles and genres, and they will also be extremely useful and powerful tools for you to open up your playing across the entire length of the fret board.
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