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Arlen Roth Lessons
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Jimi Hendrix had a truly powerful rhythm guitar approach that was beautifully designed to incorporate both lead and rhythm guitar, and accommodate the fact that he was basically in a three-piece band. This enabled him to paint in broad strokes with his guitar, and his technique varied widely from heavy power chord licks to smooth R&B/country-like sounds.
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Some of my favorite licks to play or teach, these really put hybrid picking to the test! The feel has to be just right, and I’ll make sure you get the correct left and right hand syncopation. It’s one of those cool positions that’s like riding a bike, once you’ve got it you’ll never “unlearn” it!
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Today’s lesson features a time-honored technique for blues fingerstyle playing that is equally at home on the electric or acoustic guitar, but perhaps most at home on the acoustic. It evokes the great blues styles of folks like Robert Johnson, Skip James, Brownie McGhee and many others.
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This great and influential lick utilizes the “claw” or hybrid-picking style to its fullest. Often associated with tunes like “My Baby Left Me,” “See See Rider” and, of course, “Mystery Train,” this lick has kicked off more jams than probably any other rhythm part in history.
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This is a unique, one-of-a-kind lick that really takes the banjo-like sound and raises it to a special level. I created this lick back in 1969 for my song “Upstate Rag,” which I originally played with my band Steel. We also performed the song in 1970 at the first anniversary of the Woodstock Festival, which was held at the actual site of Woodstock for thousands of campers. The same song also appeared as an acoustic piece on Guitar Harvest, as well as the full-band version on my 2005 CD, Landscape.
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